{"id":11,"date":"2025-10-30T18:31:11","date_gmt":"2025-10-30T16:31:11","guid":{"rendered":"http:\/\/33981481155.blog.com.gr\/?page_id=11"},"modified":"2025-11-04T11:11:54","modified_gmt":"2025-11-04T09:11:54","slug":"books","status":"publish","type":"page","link":"https:\/\/www.katerinamalakate.com\/?page_id=11","title":{"rendered":"Books"},"content":{"rendered":"\n<div class=\"wp-block-columns book-row is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"671\" height=\"968\" src=\"http:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/Faceless-1.jpg\" alt=\"\" class=\"wp-image-58\" style=\"border-width:5px;width:400px\" srcset=\"https:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/Faceless-1.jpg 671w, https:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/Faceless-1-208x300.jpg 208w\" sizes=\"auto, (max-width: 671px) 100vw, 671px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left .no-caps {   text-transform: none !important; }  book-text\"><strong>Faceless<\/strong> explores the boundaries between identity, body, and disappearance.<br>After a violent argument, twenty-three-year-old Dionysis shoots himself and loses half his face. Hidden behind screens, he lives in the shadows until a doctor offers him a chance at a face transplant. But can another person\u2019s face restore what was lost \u2014 the years, the love, the self?<\/p>\n\n\n\n<p>A lyrical novel about bioethics, the body, and the fragile ways we exist \u2014 and are seen \u2014 in the digital age.<\/p>\n\n\n\n<p class=\"book-text has-medium-font-size\">[Faceless, Katerina Malakate, Metaichmio ed, 2020]<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.booktalks.gr\/neoelliniki-logotexnia\/neoelliniki-pezografia\/xoris-prosopo.html\">Buy here<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-top reverse is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"845\" src=\"http:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/TOSXEDIO-1.jpg\" alt=\"\" class=\"wp-image-60\" style=\"border-width:5px;width:400px\" srcset=\"https:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/TOSXEDIO-1.jpg 564w, https:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/TOSXEDIO-1-200x300.jpg 200w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>The Plan<\/strong> follows Haris, a middle-aged writer who flees to Paris as Greece descends into chaos. Behind him, a country burns under authoritarian rule; ahead, exile offers only the illusion of freedom.<\/p>\n\n\n\n<p>Between memory and survival, <em>The Plan<\/em> explores how fear reshapes love, identity, and responsibility \u2014 and what remains of a self when one\u2019s homeland is lost.<\/p>\n\n\n\n<p>A taut, poetic novel about isolation, resistance, and the quiet courage of those who endure.<\/p>\n\n\n\n<p class=\"book-text\">[The Plan, Katerina Malakate, Melani ed, 2016]<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-top book-row is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"216\" src=\"http:\/\/www.katerinamalakate.com\/wp-content\/uploads\/2025\/10\/Noone-wants-to-die-2.jpg\" alt=\"\" class=\"wp-image-63\" style=\"border-width:5px;width:400px\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"book-text\"><strong>No One Wants to Die<\/strong> begins when an elderly English woman in a coma awakens in the body of her young Ukrainian caregiver. Drunk on the sudden return of youth, she roams the streets of Athens, pursued by her own ghosts.<\/p>\n\n\n\n<p>Around her orbit a migrant worker who sees a green light in the sky and a granddaughter slipping into madness \u2014 all bound by a single truth: no one wants to die.<\/p>\n\n\n\n<p>A lyrical meditation on mortality, faith, and the impossible wish to live forever.<\/p>\n\n\n\n<p>[No one wants to Die, katerina Malakate, Haramada ed, 2013]<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faceless explores the boundaries between identity, body, and disappearance.After a violent argument, twenty-three-year-old Dionysis shoots himself and loses half his face. Hidden behind screens, he lives in the shadows until a doctor offers him a chance at a face transplant. But can another person\u2019s face restore what was lost \u2014 the years, the love, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Books - Katerina Malakate<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.katerinamalakate.com\/?page_id=11\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Books - Katerina Malakate\" \/>\n<meta property=\"og:description\" content=\"Faceless explores the boundaries between identity, body, and disappearance.After a violent argument, twenty-three-year-old Dionysis shoots himself and loses half his face. 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